Expansion of the Group of Seven exhibition

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An exhibition in an art gallery featuring paintings by members of the Group of Seven and their contemporaries, and showing their early connections to the Sarnia community, will remain open until September 11.

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The Group of Seven: Their Visions Revisited 100 Years Later, opened last October for about two months before the Judith and Norman Alix art gallery closed as part of a provincial initiative to curb the spread of COVID-19.

The gallery reopened on August 4 and a decision was recently made to expand the exhibition – featuring several of the 43 paintings, sketches and prints of the expanded Group of Seven in the gallery’s collection – from its original closing date of Aug. 22, the curator said. Sonya Blazek.

“We decided, since we had to close for a while, that we would like to give people a little more time to come and see the exhibit. “

The exhibit also features archival material and handwritten correspondence between members of the Group of Seven and the Sarnia Women’s Conservation Art Association, the group that has assembled many pieces now in the gallery’s collection.

Works by Emily Carr, Paraskeva Clark and Ann Savage – regular contemporaries but not official members of the group – are also included in the exhibit, Blazek said.

“At the time, of course, the women painters were not invited to exhibit with the group of seven, even if they were in very regular contact with the group and even went with them on the same expeditions to paint,” he said. she declared.

The exhibit was originally launched to celebrate the centenary of the Group of Seven reunion, she said.

“What’s fascinating about the Group of Seven is that they have an earlier connection to the community of Sarnia,” she said. “So this exhibit traces some of the earliest connections that the members of the Group of Seven had with the city of Sarnia, but also with the exhibits at the Carnegie Library. “

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Parts of the Group of Seven’s art collection at the gallery are exhibited “quite frequently” in various settings, she said.

“Certainly because it is a centennial celebration, many works have been removed and brought together in this space.”

An online version of the exhibit will remain even after the closing date on jnaag.ca, she said.

Next up is Facing North, an exhibition of gallery paintings by Jean Hay, a former resident of London, Ont., Who has made several trips to the Arctic to paint, said Blazek.

“We are (exhibiting) a series of large-scale arctic landscapes that are absolutely breathtaking and explore the work of a lesser-known female artist who is part of our permanent collection,” she said.

The exhibition is produced in conjunction with the Thames Art Gallery in Chatham-Kent, which also has a number of paintings by Hay in its collection, she said, noting that the exhibition recently ended at the gallery.

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